Aries Mū

Personality

INFJ - 9w1 - sp/so - 962 - ESI - FVLE - Phlegmatic-Melancholic

Appearance

As a muvian, Mū was a sturdy man of medium height, but wasn't much muscled, fair complexion, green eyes. He had round eyebrows which was popular among Japanese and ancient Chinese lords and is very androgynous in the face. His pink hair is long and wears it in a long pigtail, height: 182 cm, weight: 75 kg, birthdate: March 27, age: 35 years.

About (Part 1)

Aries Mū is one of the 12 gold saints. He is one of the bronze saint's most trusted allies, and serves as the man who repairs damaged cloths in the early stages of the series. He is also know as Mū of Jamir "the Cloth Blacksmith". Mū was known as Much of Jamir or Lord Mū. Mū of Jamir was introduced by Masami Kurumada in vol. 3 of his manga/graphic novel. Mū was a sturdy man of medium height, but wasn't much muscled. Under the tutelage of Shion, the Grand Pope of the Sanctuary, Mū was able to become the Gold Saint of Aries at a young age. While all gold Saints have a base of psychic powers to some degree, Mū has been stated to possess the strongest raw psychic power among all living Gold Saints. This allows him to manipulate his gift to various degrees: psychokinesis, teleportation, and various other powers are at his command. Mū is very amiable spoken, with a gentleman-like personality; his demeanor is very tranquil and calm, almost as if he is the extreme leader of the Sanctuary. Various official translations of the manga and anime, as well as Mandarin language

About (Part 2)

He is good friends with Taurus Aldebaran, and is very respectful to the 261 year old master of the Rozan's Five Peaks: Libra Dohko. Before the start of the series, Mū removed himself from Sanctuary after suspecting that his mentor (and then-Pope), Aries Shion, had been quietly assassinated. He relocated to Jamir, a mystical land that only those with a high level of either psychic or a powerful Cosmos can enter. From here, Mū severed all ties to Sanctuary and lived a life of solitude with his apprentice, the young psychic Kiki. It wasn't until years later, when he met Dragon Shiryu and Pegasus Seiya, that he began to become involved in the affairs of Sanctuary again. Throughout the manga and anime series, Mū is the man to go to when a Saint needs his or her cloth repaired. Although every individual Cloth has the ability to regenerate itself after a battle, a hands-on restoration from Mū is needed if a cloth has been severely damaged to the point of death. In normal cases, 1/3 of a person's total blood supply is required for Mū to begin work right away. When restoring an armor, Mū uses hardware tools and the elements that are used to forge a Cloth: the mythical and extremely rare metal known as Gammanium, used in an alloy with the legendary metal Orichalcum, and finally, the radiant Star Dust Sand. At the end of The Lost Canvas. Mū is shown talking to the Roshi Dohko at the Lushan mountains. Mū is reporting to Dohko about Kido Saori (the new Athena) starting the new Galaxian wars.

Skills and Abilities (Part 1)

While Mū is depicted as a pacifist throughout the first half of the series, he is an extremely capable and powerful fighter when the situation demands so. Not only is the Saint of Aries built with two offensive and one defensive attacks, he is also a master of various psychic techniques. From basic teleportation to advanced telekinesis, Mū is revered as a premiere psychic user among even those outside of Sainthood, being stated by Virgo Shaka to possess the strongest telekinesis amongst the Gold Saints when Shaka needed Mū's help to return Shaka and Ikki back to Sanctuary when trapped in an alternate dimension. His Techniques are: Crystal Wall: Mū creates a transparent, glass-like barrier made of psycho-power, between himself and an object. The wall is very durable, and has been shown to shield Mū against everything from normal cosmos attacks to poison scent and rebounding the attack back to the enemy with the same strength it was launched. The strength of the wall is dependent on Mū's cosmos level; at 100%, it is nearly unbreakable to almost all but Mū's mentor who taught him the technique, Aries Shion, Crystal Net: A variation of the technique Crystal Wall which creates a psycho-power made spider web. This web can refrain the movements of the targets that get in contact with it, Stardust Revolution: Like Crystal Wall, it is an attack that was handed down by his mentor Aries Shion (The former Aries Gold Saint and the real Pope of Athena's Sanctuary in this modern era). The attack summons stardust from stars and galaxies then throws million of blows instantly. It's well known that the attack has force of shooting stars and comets and obliterates an enemy with raw cosmos power. In Episode G, Mū used this attack to destroy all the hundred arms of the Hechatonchire.

Skills and Abilities (Part 2)

Starlight Extinction: a teleportation-based offensive technique. Although it essence rely not on destroying the opponent but on removing him from battle, by teleporting the opponent out of sight and out of the fight, Mū accumulates his cosmos that is released in the form of multiple photon shocks, which hit the opponent across the body at the speed of light countless times, a blinding light completely surrounds the target all while it, "absorbs, dissolves and extinguishes" the opponent in the halo or swirl of light. When Mū used it against Pegasus Seiya, he was able to send the bronze saint to a location of his choosing. He also used this technique to send Cancer Deathmask and Pisces Aphrodite to Hades' earthly castle in Germany.Though Mū usually does use this move to remove the opponent from the fight, if it is required...he can completely obliterate the opponent by sending him to another plane of existence, like in the fight against Papillon Myu, at the end of the battle when Papillon is entrapped by Crystal Net, Mū uses the Starlight extinsion on him, and thus kills him. (The kill was confirmed by Virgo Shaka's 108 Rosary.) In Episode G, Starlight Extinction is also used to remove the Titan's Dimension Iapetos' dimensional rifts. In addition to all of these techniques, Mū is also blessed with speed of light that all Gold Saints possess due their mastering over the 7th sense. He can also teleport his own body or any object at will at anytime, even during the midst of battle. The will of Athena makes Mū and the other eleven gold saints out of death state in order for them to batter down the Wailing Wall.

About Gold Cloth (Part 1)

About Gold Cloth (Part 2)

The Gold Cloths are the highest class of Cloth that Athena's Saints wield. They're given to exceptionally powerful Saints who have mastered their Seventh Sense. There are thirteen Gold Cloths, one for each corresponding Zodiac sign. They provide the most protection and cover most of the body. Though they don't have as many unique abilities as their weaker counterparts. Like all Cloths, Gold Cloths are alive. Using the cosmo of the wearer, they function as protection. They can be destroyed, though they have survived since the ages of myth through countless battles. It takes the strength of a god in his true body to completely destroy a Gold Cloth. They all freeze at -273.15 degrees Celsius (Absolute Zero) and typically speaking, the wearers can fight at the Speed of Light, due to their having awakened the Seventh Sense.

About Gold Cloth (Part 3)

Gold Cloths are even able to withstand the power equivalent to that of a big bang, the same force the created the universe. As stated in the Hades arc. when Mu, Aiolia and Milo come together to use the devastating attack, Athena's Exclamation. While the Bronze Cloths and the Silver Cloths generally have constellations that lie to the north and south of the Sun's path (with Ophiuchus Silver Cloth being the exception), the Gold Cloths have constellations that lie along the Sun's path through the cosmos, each being blocked by the Sun at a differing time. Being the Zodiac, these Cloths have absorbed the light of the Sun since the days of Myth, and can even recreate that might when combined. Ophiuchus is now the Constellation of the 13th Zodiac sign. In Saint Seiya: The Next Dimension, there is apparently a thirteenth Gold Cloth, the Ophiuchus Gold Cloth worn by the Thirteenth Evil Gold Saint Odysseus. Mu's guardian constellation is Aries, and his Gold Cloth represents it and its associated myth : the winged Ram that saved the boy Phrixus and his sister Helle, and later, the Ram's skin was known as the Golden Fleece, and found by the legendary Jason of the Argonauts. The temple Mū guarded was known both in manga and the anime adaptation the "Temple of the White Ram".

About Gold Saints (Part 1)

The Gold Saints are the group of twelve most powerful and highest ranking warriors in Athena's army. Their main duty at Sanctuary is to defend the Twelve Houses of the Zodiac. They are the last line of defense and the ultimate warriors in the service of Athena and of the Grand Pope, from among whom the Pope is generally selected. Gold Saints wear Gold Cloths, that represent the twelve constellations of the zodiac, and are the most durable and powerful among all the 88 Cloths. Since these constellations are located over the ecliptic, the Cloths also contain the energy and light of the sun. When all twelve Gold Cloths are in proximity to one another, they emit a shining light and produce a loud sound. This phenomenon is called "resonance". However, the reunion of all twelve Gold Saints is a rare event, which usually only happens when Athena or the Grand Pope summons the Gold Saints in view of an upcoming crisis. The Gold Saints are among the most powerful characters in the series. Their power derives from their mastery of the Seventh Sense, the essence of Cosmo, which grants them miraculous abilities, such as the capability to move at the speed of light.

About Gold Saints (Part 2)

Some among them have also reached the Eighth Sense (Arayashiki). Like other Saints, who can raise their Cosmo beyond ordinary levels in extraordinary circumstances, the Gold Saints are capable of overcoming their limits in times of crisis to accomplish miracles. They are highly respected by other Saints, though this does not signify that all Gold Saints are honest or righteous. There are multiple Gold Saints who act with open cruelty and self-interest, unchecked by their peers. When two Gold Saints with equivalent forces confront one another, it is said that their battle will inevitably reach a stalemate. This confrontation is referred to as a "Thousand Day War", since the saints can both die or fight forever without a winner. When three Gold Saints come together, they can join their cosmos to unleash a legendary technique known as the "Athena Exclamation". The "Contemplative Athena Tablet" that resides in Athena's room represents its essence. This technique releases an amount of energy similar to a small scale Big Bang, the explosion that gave birth to the universe. When two such techniques collide, their power does not double or multiply, but increases exponentially. Because of its immense destructive power, and because it is considered a coward's technique (three Saints attacking a single enemy), Athena banned its use. Those who use the "Athena Exclamation" are considered barbaric and dishonorable, and may never be called Saints again, regardless of their intent.

About Gold Saints (Part 3)

The most powerful and destructive technique of the Gold Saints is the one referred to as the "sacrifice of the Gold Saints". In it, the twelve Gold Saints raise their Cosmo and, taking advantage of the fact that their cloths are connected to the ecliptic, put their souls into an energy beam as strong and bright as the sun. Adding to the already amazing array of skills that the Gold Saints have, the Libra Cloth has six pairs of golden weapons that can be used in exceptional situations at the discretion of the Libra Saint, the only one allowed to weigh the justice and righteousness of a cause in the absence of Athena herself. The destructive force of the weapons is extraordinary. They are said to be able to pulverize a star with a single blow, a feat equal only to the most devastating techniques, such as the Gemini Saint's "Galaxian Explosion". The six pairs of weapons are the tonfa, spear, sword, shield, triple rods, and twin rods. Among Athena's enemies, there are groups of warriors who are comparable in rank and power to the Gold Saints, such as Poseidon's Mariners or the Celestial Star Specters of Hades's army, particularly the Three Judges. The anime series and films also introduced the God Warriors as Gold Saint-level enemies.

Residence (Part 1)

Athena's Sanctuary, is the residence of Athena, as well as the headquarters of her saints. The sanctuary is located in the outskirts of Athens (whose matron was, in ancient times, Athena), even possessing secret entrances in certain parts of the city. Although some ruins of the sanctuary are opened to the public, most of it is located within a dangerous mountain range, which cannot be crossed by average humans, Is one of the deepest areas of the sanctuary, as well as one of the first locations (in the anime, the very first) shown in the original series. Here we witness Seiya becoming the Pegasus Saint. The colosseum is mainly used to hold fights between the trainees to decide the wearers of certain Cloths, and as a place for practice. This place is located very near to the foot of the Gold Zodiac, as Kido Saori and the five main Bronze Saints are welcomed and introduced to the Gold Zodiac by Sagitta Ptolemy here. The Fire Clock is the most prominent structure of the sanctuary, along with Athena’s Colossus. It is a colossal clock tower with four sides, so that it can be seen from anywhere in the sanctuary. On each side of the clock, twelve blue-colored flames are lit. Each flame represents a zodiac sig, and takes about an hour to extinguish. Once lit, the clock will take about 12 hours to extinguish all of its flames. The flames are only lit to mark or time important battles or events, being used twice in the original manga series. First, marking the battle of the 12 Temples, and then marking the invasion of the specters, as well as the start of the Athena-Hades Holy War of the era. The clock was also lit in Episode G, marking the meeting of the 12 Gold Saints.

Residence (Part 2)

The Gold Zodiac is the deepest part of the Sanctuary, consisting of twelve temples representing each of the twelve Zodiacs. Inside each of the temples, a gold saint (and, in Episode G and The Lost Canvas, their servants) resides. They align themselves over high peaks, ridges and slopes of the mountains, from the first sign to the last; namely, the temples of Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius and Pisces. However, through wars and the passage of time, many Temples have fallen into decay, despite repairs. In the manga, the Aries Temple is nothing more than standing pillars. All the Temples are connected by a single flight of steps, making it virtually impossible to get to Athena's chambers without the permission of each gold saint and the pope. The path is also blessed by Athena’s cosmo, serving as holy barriers preventing lesser evils, as well as any sort teleportation between two temples. Most Gold Saints reside here. It has never been shown in the original manga that there are residential parts in these Twelve Temples. But in Episode G and The Lost Canvas, these parts are integrated into them. In the original manga, this part is mentioned by the name Twelve Temples, and the name Gold Zodiac is first used in Episode G.

Residence (Part 3)

The Athena’s Colossus is a colossal statue overlooking the Sanctuary from the topmost part, accessible only through the Pope’s Chamber. At first glace, the Colossus itself does not seem to have any significance but for decoration and symbolizing Athena. However, it holds many secrets that only fa ew alive now know of. It is revealed later that the shield in the left hand of the statue is the Aegis Shield that can dispel any evil. And Nike in the right hand of the statue is, in fact, the Golden Staff that Athena herself caries at all times, calling forth miracles and bringing victories to her Saints. And all of them, including the body of the statue, are one large Cloth. It is Cloth of Athena itself sealed there since the ancient time. With her holy blood, the Cloth can be reawakened and reverted into its true form. Furthermore, the placement of the statue has its significant meaning. It purposefully marks the Chamber of the Seal right underneath. Saint Graveyard is the eternal resting place of the fallen Saints located somewhere in the lower parts of the Sanctuary, adjacent to the Gold Zodiac, and is also one of many ways through which one can reach the foot of the stairs to the Aries Temple. In Episode G, an invisible army of the Titans tries to pass through this place to the Twelve Temples, only to be stopped by the cryomancer of the Sanctuary, Aquarius Camus. And here too, is the place where the invasion of the Sanctuary in Hades arc begins.

Residence (Part 4)

Chamber of the Seal is a chamber positioned directly underneath the feet of Athena’s Colossus, mentioned only in Episode G. Wards and holy spells in Greek are written all over the floor, ceiling and walls. A large black scythe with its blade through the floor is chained up at the center. After the Titanomachy, Zeus won the throne from Cronus and successfully deposed him. He decided to seal his father’s weapon, along with all his power and Cosmo away in the safest place of all the Sanctuary. Cronus’ Soma, the aforementioned scythe, Megas Drepanon, is sealed here in this chamber. Almost the entire Episode G revolves around this weapon.

Additional info

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