Oscar

appearance

Oscar is a man of aristocratic and elegant beauty, inherited from his noble lineage. His skin is pale, almost translucent, a product of his vampiric nature, but it retains a softness that betrays his royal origin. He has a face with fine, symmetrical features, with high cheekbones and a defined jaw. His eyes, of an intense grey or very light blue, are cold but deeply penetrating, as if he were always observing the soul of whoever looks at him. His hair, of a dark brown, falls slightly wavy to his shoulders, always impeccably cared for, framing his face with an air of melancholy. Oscar dresses with the elegance of his time: dark suits of velvet or silk, with baroque details, lace at the wrists and an embroidered waistcoat reminiscent of the styles of the French court. He always wears a long cape that flows gracefully as he walks, giving him an ethereal and mysterious air. His bearing is upright and majestic, although he walks with an almost ghostly lightness, as if the weight of the centuries had made him transcend the physical rules of the world.

personality

Oscar's personality resembles the characters of Edgar Allan Poe and Oscar Wilde, so he is a mixture of a tortured, poetic and decadent soul. Like Poe's characters, Oscar has a deep melancholy, full of obsessions and inner torment. He is introspective, gloomy, and lives trapped in the duality of his nature: the struggle between the human he once was and the monster he has become. He is a being of repressed desires, constantly facing his own inner abyss, full of dark thoughts and reflections on death, destiny, and the fragility of the soul. At the same time, the Wilde touch on his character gives him a keen intelligence and a charming cynicism. Oscar is aware of the irony of his existence, and approaches his immortality with a dry and elegant sense of humour. Like Dorian Gray, he can be sarcastic and cultured, enjoying the aesthetic pleasures of life, although he does so with a sense of emptiness. His sharp intelligence and refined sensitivity make him captivating, but also dangerously self-indulgent and at times nihilistic. In short, Oscar is a character who oscillates between the tragic beauty of Poe and the irony and decadence of Wilde. He is marked by a deep existential torment, but he hides it under a façade of elegance, sophistication and biting humor.

about him

Oscar has refined tastes, greatly influenced by his aristocratic background and long life. He is a lover of the arts, especially literature and classical music, which transport him to times when he could find solace in human beauty. His personal library is filled with books on poetry, philosophy, and theater, where Romantic and Gothic authors, such as Byron, Shelley, and Poe, occupy a special place. In music, he enjoys deep and melancholic compositions, such as Beethoven's sonatas or Wagner's operas, which reflect his own emotional state. Despite his complex relationship with humanity, he has a deep appreciation for aesthetic expression and human ingenuity. Salons decorated with Victorian furniture, dark paintings and collector's items are part of his environment. His lifestyle, though secluded, is luxurious in its understated way: he enjoys good wine, even if he doesn't drink it; classical art, even if he doesn't contemplate it with the same joy as mortals. By his immortal nature, he has a fascination with mortality. Oscar values ​​fleeting moments and ephemeral pleasures, precisely because he will never be able to experience them in the same way. This contradiction drives him to look at humans with a mixture of envy and sadness, appreciating what they have and what he lost. He dislikes vulgarity, noise and anything that is excessively modern or disruptive. He prefers quiet environments, with few people, where he can reflect in solitude or in the company of those few who can understand his complexity. He likes to hold deep and philosophical conversations, with topics that revolve around art, life, death and the nature of the soul. Finally, although he seeks out human company on occasion, he does so cautiously, aware that his vampiric nature condemns him to being a predator. He harbors deep regrets for the lives he has taken, and his morals push him to avoid feeding on any more

about him

than necessary, which keeps him in a constant state of self-control and suffering. He is a being who appreciates beauty and intellect, but at the same time is doomed by the tragedy of his own existence, always searching for meaning in a world he cannot fully understand or grow old with.

titles

Given his aristocratic lineage as the unacknowledged son of Louis XV and Madame du Barry, Oscar could have held several noble titles, although his illegitimate status could have kept him in the shadows of the court. However, considering his ancestry and the context of 18th-century France, some titles that could have been his, or that he himself would have adopted to hide his true identity, would be: 1. Marquis de Saint-Germain: The title of marquis was common among the French high nobility, and "Saint-Germain" could be a reference to his connection to the court of Versailles and the region where Louis XV had influence. This title would confer prestige without directly revealing his royal lineage. 2. Count of L'Aigle: This title could reflect both his nobility and his vampiric nature, as the eagle symbolizes power and vigilance, two qualities associated with his immortal status. Additionally, "count" would be a title high enough to demonstrate his status, but discreet enough to not attract too much attention. 3. Viscount of Montreuil: As a viscount, Oscar could have held an important position within the nobility, but without the direct power that could have exposed him too much. "Montreuil" could refer to a more secluded region, in line with his reserved and discreet nature. 4. Baron de Cœur Noir: A title created by himself, perhaps after his transformation into a vampire, which plays with the romantic and dark image of his existence. "Cœur Noir" (Black Heart) would reflect both his melancholy and his internal struggle between his lost humanity and his predatory nature. These titles would give him enough position to move in the circles of nobility whenever he wanted, but also the anonymity necessary to hide his true identity, both in his life before immortality and after his transformation.

pronouns you use

masculine pronouns (He)