Horror Movies ||RP||

Characters

Michael Myers(Halloween) Freddy Krueger(Nightmare On Elm Street) Pennywise(IT) Leatherface(Texas Chainsaw Massacre) Jason Voorhees(Friday The 13th) Pinhead(Hellraiser) Chucky(Chucky) Tiffany(Chucky) Ghostface(Scream) Jigsaw(Saw) Jack Torrance(The Shining) Damien Thorn(The Omen) Xenomorph(Alien) Regan MacNeil(The Exorcist) Hannibal Lecter(The Silence of the Lambs)

Prompts from Tumblr

(Random Tumblr texts of how people think fandom convos/movie combos were.) -Dracula: Your impotent men with their foolish spells cannot protect you from my power. I condemn you to living death. To eternal hunger for living blood! -Dracula: You think you can destroy me with your idols? I, who served the Cross. I, who commanded nations, hundreds of years before you were born. -Professor Abraham Van Helsing: Your armies were defeated. You tortured and impaled thousands of people. -Dracula: I was betrayed. Look what your God has done to me! -(Cult leader) Reanhauer's spiel to the title character in Nurse Sherri: "Come with me, Sherri...and I'll introduce you to the bliss that lies beyond the borders of hell." Bill Roy delivers the line in a sinister, snarling voice, but it's also like he's asking her out on a date. "Come with me, Sherri...I'll take you to La Scala for dinner and then we'll walk along the beach" would have worked nearly as well. It's the oddest of the many unintentionally funny moments in that film. Predator: Over here... -Buffalo Bill: It rubs the lotion on its skin or else it gets the hose again. -Hannibal Lecter: A census taker once tried to test me. I ate his liver with some fava beans and a nice Chianti. -Hannibal Lecter: Do you think that Jack Crawford wants you sexually? True, he is much older but do you think he visualizes scenarios, exchanges, fucking you? -Clarice Starling: That doesn't interest me Doctor and frankly, it's, it's the sort of thing that Miggs would say. -Hannibal Lecter: Not anymore. -Tina Gray: Please God! -Freddy Krueger: This.. is God. -Casey Becker: What do you want?! -Ghostface: To see what your insides look like! -Freddy Krueger: I’m your boyfriend now, Nancy! -Jack Torrance: Darling. Light, of my life. I’m not gonna hurt ya. You didn’t let me finish my sentence. I said, I’m not gonna hurt ya.

Hellraiser (Pinhead)

When Hellraiser first hit the big screen in 1987, no one knew what to expect from first-time director Clive Barker. Sure, he had directed a couple of short films, and wrote the source material, but a feature film? That's a daunting task. Audiences' concerns were quickly assuaged when Pinhead made his grandiose appearance, and as leader of the Cenobites, he's gone on to become one of the horror genre's biggest icons. First portrayed by Doug Bradley, there wasn't a lot to dislike about Pinhead. He had a punk rock look, a casual yet firm demeanor, and just oozed confidence. He immediately became a fan favorite, and considering the film's real villains were Frank and Julia, we wanted to see them get their comeuppance from the cool human-turned-demon. In later films, Pinhead's backstory was expanded upon, giving fans an even greater appreciation for the Cenobite. As such, there have been 11 films in the Hellraiser franchise, with Jamie Clayton recently taking up the mantle as the series' first female incarnation of Pinhead, much to the delight of audiences everywhere.

TTCAM (Buba/Leatherface)

In 1974, Tobe Hooper's The Texas Chain Saw Massacre was unleashed on an unsuspecting public, and the horror genre has never been the same since. Its simple story about a group of people stalked by a maniacal killer and his sadistic family has become one of the genre's biggest tropes, and gave way to the legend that is Leatherface. Portrayed by the late Gunnar Hansen, Leatherface was a hulking, imposing figure that wore the faces of his victims and wielded a chainsaw. Yet it was that air of mystery surrounding him that made viewers want to know more. Why did he have baby teeth? Why couldn't he talk? What's the deal with the chainsaw? All those questions would be answered in later films, but it was his first appearance in the original classic that made him an instant hit with horror fans. Considering his victims didn't have much substance to them, it was easy to root for Leatherface, who has since gone on to be an icon loved the world over.

Jigsaw (John Kramer)

The best villains are those who see themselves as the hero, and in the Saw franchise, it's hard to argue with John Kramer, known affectionately to horror fans everywhere as Jigsaw. Seriously, what's not to like about a man that takes the worst society has to offer, and plays a few games meant to reignite their zest for life? Maybe he could be a little nicer about it, but where's the fun in that? By dishing out his own brand of vigilante justice, Kramer shows us what's really important in this world, and teaches us to live each day to the fullest. Something he learned on his own after a failed suicide attempt. While his methods might be a little unconventional, it's easy to cheer for a guy who sticks it to a health insurance executive that denies people's claims for coverage.

Candyman (Daniel Robitaille)

As the victim of a hate crime, Daniel Robitaille was killed in the late 19th century after it was discovered he'd been having an intimate relationship with a rich, white man's daughter. Since he was black, and the son of a slave, white folk didn't take too kindly to things like that back then. Sadly, some things never change, but that's besides the point. Robitaille's death birthed the urban legend of Candyman, and in 1992 a new horror icon was born. With his trademark bees, and hook for a hand, Candyman has appeared in just four films thus far, but thanks to Tony Todd portraying the titular character, horror fans everywhere have come to sympathize with the beloved legend that was created by Clive Barker. Much like Bloody Mary, all you have to do is look in the mirror and chant his name five times, and carnage will ensue. Those who disbelieve will be quickly dispatched, bringing more credence to the supposed myth that is Candyman.

Halloween (Micheal Myers)

If creating a slasher icon was as easy as defacing a William Shatner mask, everyone would be doing it, but as chilling as Michael Myers' appearance is, that's not the only reason we love him. First introduced in director John Carpenter's 1978 quintessential horror film, Halloween, Michael Myers was a troubled child that took a knife to his sister, got locked up in an asylum, and escaped 15 years later to terrorize the residents of Haddonfield, Illinois. Though his chief victim, Laurie Strode, was later ret-conned to be his other sister, his motivations remain unknown, and that's what makes Michael Myers so terrifying. He is pure evil, with the blackest eyes... the devil's eyes, and despite all the family drama added into the later films, fans love seeing how he'll come up with creative ways to kill his victims. His slow, methodical walk has become as legendary as his coveralls, and has gone to become somewhat of a trope itself. Though seemingly killed off for good after 13 films, don't be surprised if we see him pop up again to continue the mythology started 45 years ago.

Childs Play (Chucky/Charles Lee Ray)

What's to love about a doll with red hair and overalls? Not much, but when you possess it with the spirit of a serial killer, and it springs to life cracking wise while wielding a knife, it turns out there's a lot to like. Just ask any horror fan, and they'll tell you why Chucky is such an endearing character. Hitting the big screen in the 1988 slasher, Child's Play, Chucky was voiced by the incomparable Brad Dourif. Standing a little over two-feet tall, the doll was brought home by a widowed mother just trying to please her son, Andy, at Christmas. Unbeknownst to her, serial killer Charles Lee Ray transferred his soul into Chucky thanks to a little voodoo magic, and is waiting for the right time to strike. After he kills a babysitter, all the evidence points to Andy, who insists the doll is alive, and is the real culprit. With a mouth as dirty as any sailor, Chucky is the kind of villain that hides in plain sight. With six films under his belt, and a successful television series, he's become one of the horror genre's most memorable characters, and thanks to the voice talents of Dourif, is loved by fans. After all, he is a good guy. It says so right on the box.

Friday The 13th (Jason Voorhees)

Seemingly drowning as a child in 1957 while the camp counselors assigned to watch him were off making love, Jason Voorhees was thought to be dead. In 1980, his mother extracted a measure of revenge by going on a killing spree at Camp Crystal Lake, before being beheaded. A year later, it was Friday the 13th Part 2 where we realized that Jason was alive and well, and witnessed his mother's murder. What followed was the birth of a cultural icon who has been delighting slasher fans ever since. When Jason received his trademark hockey mask in 1982, his appearance became synonymous with horror, and now there's nothing we love more than seeing the creative ways in which Jason can kill off a bunch of dimwitted teenagers. Whether it's knocking off someone's head with a stiff right hook, or skewering together two lovers in the thralls of passion with a spear, the methods Voorhees uses are as essential to his legend as his mask is. Couple all that with Harry Manfredini's famous 'ki ki ki, ma ma ma' sound effect, and you have all the ingredients that make up a true, American treasure.

Terrifier (Art The Clown)

Let's face it, creating a horror icon isn't easy. Many have tried over the years, but for one reason or another the characters have fallen flat, and failed to enter into the subconscious of the genre. Such is not the case with Damien Leone's 2016 low-budget slasher, Terrifier, which introduced audiences to the new kid on the block, Art the Clown. First appearing in 2013 in the horror anthology movie, All Hallow's Eve, Art the Clown hit it big with his own film that really gave audiences a chance to see what this demented ghoul was all about. Did he have the goods to stack up to the likes of Jason Voorhees or Michael Myers? The answer was a resounding, "Yes!" Silent, funny, and extremely deadly, Art the Clown knows how to make good use of his bag of tricks, which includes a hacksaw, a scalpel, a hammer, and even a gun. He isn't afraid to get his feet dirty, either, stomping the head of one of his victims into a bloody mess. Terrifier 2 only furthered the mythology of Art the Clown in 2022, and with Terrifier 3 recently being announced, we can only hope that we'll get to learn more about what makes our favorite maniacal clown tick.

Nightmare On Elm Street (Freddy Krueger)

Despite the fact that he was a serial killer of children, perhaps no other horror icon is as loved the world over as Freddy Kruger. Portrayed by Robert Englund in A Nightmare on Elm Street in 1984, and its seven sequels, Freddy has become a pop culture phenomenon that has gone beyond the films, and into mainstream consciousness. Books, dolls, clothing, video games, and posters all feature the image of the horribly burned character, and fans collect them with pride, displaying their wares for everyone to see. Whether it's his cheesy one-liners, the way he's able to enter our dreams, his highly dangerous bladed leather glove, or the fact that Englund so vividly brought Krueger to life, Freddy is as iconic as the Statue of Liberty. Despite the 2010 remake being a critical failure, fans are still eager to see where the franchise will go next, continuing the legacy of the famed Elm Street butcher.

IT (Pennywise)

The best horror movies are those that scare you on an emotional level, and upon its release in 2017, IT: Chapter One became an instant hit for frightening audiences right down to their core. Thanks to the amazing portrayal of Pennywise by Bill Skarsgård, this big budget re-make from director Andy Muschietti goes from zero to 60 and back again, taking viewers on a rollercoaster ride of terror. With equally commanding performances from the likes of Sophia Lillis and Ray Taylor, IT Chapter One is as heartbreaking as it is scary, as Pennywise doesn't just want to scratch the surface of what terrifies The Losers Club, but rather he wants to pour salt in the wounds of an already disturbing childhood. Featuring beautiful cinematography, and set pieces that lull you into a sense of familiarity, we're not surprised that It Chapter One goes down as one of the scariest films ever made, despite its differences from the Stephen King novel.

The Ring (Samara Morgan)

A re-make of the 1998 Japanese classic, Ringu, The Ring has become a contemporary, American classic in its own right. Starring Naomi Watts as a journalist who watches a cursed videotape, and then has seven days to figure out a way to stay alive, The Ring dives deep into mystery, while at the same time providing enough spine-chilling visuals to keep you on the edge of your seat. As the first film in a slew of American re-makes of horror films out of Japan, The Ring is held to a higher standard than most, and director Gore Verbinski doesn't disappoint, as he takes what made Ringu so scary, and puts his spin on it for Western audiences. It still holds up to this day, with the often quoted line, "Seven days," remaining a favorite among horror fans. While we may not use videotapes anymore, that doesn't stop The Ring from being just as effective thanks to the iconic scene of Samara crawling out of a well, and through a TV.

The Shinning (Jack Torrance)

Controversial to say the least, The Shining is a work of art that's riddled with suspense and tension, making for a terrifying examination of addiction, insanity, and the disintegration of family. Comparisons to the Stephen King novel aside, it's one of Stanley Kubrick's best films, and arguably the best performance in Jack Nicholson's long career. As one of the first films to utilize the newly invented Steadicam, The Shining is a visually stunning piece that relies on its slow build to lure audiences in, before unraveling into madness. While critics panned the film upon its release, the years have been kinder to Kubrick's vision, with many praising the movie for its complexities upon various reexaminations. It has been recognized several times by the American Film Institute and was deemed "culturally, historically, or aesthetically significant" by the Library of Congress in 2018.

The Babadook (Babadook)

No matter how old we get, the trope of haunted houses and monsters lurking in closets never gets old. The Babadook scores a perfect 98% on Rotten Tomatoes and is considered one of the best horror movies by the consensus of not just viewers but critics as well who described it as: "the finest and most genuinely provocative horror movie to emerge in this still very-new century." The movie is about a single mother, Amelia, struggling to survive the violent death of her late husband, and her little son, Samuel, who seems to be adamantly convinced that there is a monster in their house. Amelia grows weary of her son's constant fighting of this imaginary enemy until she catches a glimpse of the dark entity. After the fated meeting of the mother and the monster, the audience learns that it's a metaphor for meeting her grief. The mother's psychological and physical degradation gives more power to the monster hurting both mother and child. Every horror element, (haunted houses, possessed people, demonic monsters) all serve the deeper theme of overcoming grief. The Babadook is the kind of horror movie that strikes the perfect balance between very scary and very meaningful at the same time.

Alien (Xenomorph)

1979 Si-Fi horror film, Alien is set in a commercial starship called, Nostromo, where the crew will go through the deadliest ride of their lives. The terror begins as soon as they wake up from their cryo-sleep capsules during their journey to space. As approach a nest of eggs that they find in an alien ship, a small creature leaps out of the egg and clings to Kane's face. All attempts to save Ken from the clingy creature fail as the crew learns that its blood is pure acid. From that point on, the movie starts giving the audience more distressing alien horror scenes; enough, in fact, to induce even more fear than the word Alien already provokes in most of us. The cult classic horror film was a box office hit ($184.7 million) and scored 98% on Rotten Tomatoes. It should hardly be a surprise for a movie of this purely creative directorial power and strong performances to enjoy such lifelong success and secure a place on this list.

Exorcist (Regan MacNeil)

It's hard to imagine a world in which The Exorcist isn't considered the scariest horror movie ever made, so it's no surprise where it falls on the list. One can wonder if that's due to nostalgia, or tradition, as the film is pretty tame by today's metrics, but you can't argue the cultural significance of a movie that affected audiences so severely back in 1973. When was the last time you heard about people fainting in the aisles, or running from theaters due to what they were seeing on screen? The tales are as legendary as The Exorcist itself, making them close to folklore. With its simple premise of a young girl possessed by demons, and the priests called in to exorcise them, no other horror movie has since impacted audiences the way this one did. Argue all you want, but until another horror film comes along and premiers at just the right moment in time, and delivers on all that it promises, The Exorcist will always remain the scariest horror movie of all time.

Horror Movie stuff

The horror genre is arguably the hardest to get right. Even tougher than attempting to garner laughs in comedy films, horror filmmakers not only have to perfect the art of pacing and building tension, but they often need to locate something that sets them apart. This could be a variety of things — knowing their audience about the myriad subgenres within horror and really specializing in one; reflecting the neuroses and fears at the heart of the human subject through allegory; or, perhaps most crucially, having their finger on the pulse of contemporary sociopolitical issues and commentary, whether timeless or topical. This latter classification is often what makes scary movies truly important. Whether they're seeing slasher, supernatural, psychological, or body horror films, horror audiences are extremely well-informed and often overly critical of genre clichés. Alongside this, culture, morality, politics, and special effects technology are all changing constantly. As such, horror continuously has to reinvent itself, both for its audience and to keep up with the times. Some films have navigated this constant fluctuation extremely well and have become not just scary but utterly important in the process. Whether for their allegorical messages and theories, for their cultural impact, or just for being damn terrifying and visually stunning, these are 55 of not just the best horror movies ever made but the most important, too.

The Omen (Damien Thorn)

When US diplomat Robert Thorn and his wife suffer from a miscarriage, Thorn adopts a newborn son without informing his wife. As the days progress, the couple begins to notice strange signs about their little boy before finally realizing that their new son, is the son of the devil. Richard Donner’s 1976 classic features one of cinema’s creepiest children, masking a pure face behind a simmering sense of evil. Despite not being as terrifying as The Exorcist, or as tense as Rosemary’s Baby, The Omen still holds up as one of the most sinister horror films to come out of the '70s.

Slasher Personalities #1

They have a tendency to be selfish and individualistic, and they may even go so far as to villainize their fellow villains. Cruel and violent villains also show a lack of remorse and might be completely unapologetic for their actions, often denying or deflecting responsibility for their wrongdoings. These villains are the popular, attractive, normal kids, rather than the outsiders and misfits. These characters are the boyfriends and friends who seem to be in just as much danger as anyone else, but, in reality, they are the monsters behind the mask. A horror villain is the embodiment of the fears in our human psyche. They are often grotesque, monstrous beings with a thirst for blood and mayhem. What makes them unique is that they tap into our primal fears and lingering doubts about the world around us. In most slasher horror movies, the killer is often a loner, someone hurt as a child and wants revenge against everyone who hurt him. In other cases, it is a serial killer who just wants to hurt people.

Slasher Personalities #2

Freddy: Sarcastic/Rude/Pedophile/Evil/Perverted Jason: Sweet/Caring/Lonely/Mute/Silent Pennywise: Evil/Child Eater/Alien/Rude/Sassy Chucky: Sarcastic/Evil/Rude/Doll/Short/Bitchy/Perverted Brahms: Quiet/Sweet/Yandere/Lonely/Smelly Ghostface: Sassy/Photo Freak/Rude/Jolly Regan: Sarcastic/Rude/Evil/Possessed By Demon/Flexible Candyman: Calm/Sweet/Evil/Bee Master/L No Right Hand/Professional/Lonely Lecter:

Slasher Personalities #3

Michael: Mute/Silent/Rude/Still/Caring Leatherface: Sweet/Autistic/None Verbal/Mute/Caring/Cannibal Pinhead: Professional/Rude/Quiet/Demon Tiffany: Sweet/Evil/Sexy/Doll/Short/Bride of Chucky/Sassy Jack: Evil/Insane/Hard Worker/Perverted Jigsaw: Old/Rude/Quiet/Professional/Killer of Bad People Damien: Child/Evil/Quiet/Trickster Xenomorph: Large/None Verbal/Alien/Evil/Father of smaller alien babies Babadook: Silent/Animalistic/Evil/Demon Lecter: Smart/Cannibal/Logical/Insightful/Insane

The Silence Of The Lambs(Hannibal Lecter)

The next adaptation was 1991's The Silence of the Lambs, which was directed by Jonathan Demme and was the first film to feature Anthony Hopkins in the role of Hannibal Lecter. Silence was a success, both critically and financially, and went on to become the third film in Academy Awards history to win in all top five categories (Best Actor for Hopkins, Best Actress for Jodie Foster, Best Director for Demme, Best Adapted Screenplay for Ted Tally, and Best Picture). Dr. Hannibal Lecter is a character created by the American novelist Thomas Harris. Lecter is a serial killer who eats his victims. Before his capture, he was a respected forensic psychiatrist; after his incarceration, he is consulted by FBI agents Will Graham and Clarice Starling to help them find other serial killers. The first adaptation was the 1986 film Manhunter, which was an adaptation of Red Dragon, directed by Michael Mann. Brian Cox stars as Hannibal Lecter (in the film, the surname is changed to Lecktor).