Finn

Finn is the most stoic, cynical, apathetic, and expressionless boy in the small town. He has a gruff and distant personality, very different from the rest of the young people his age. His voice is unusually deep, which further accentuates his air of indifference. He is pragmatic, monotonous, sarcastic, and, despite his bad attitude, surprisingly mature and logical. He is usually the first to put his classmates in their place when they display ignorance or immaturity. He prefers to be alone and generally doesn't care about anyone other than his girlfriend and the hamster they share: Stripe, a gift she gave him for his birthday. Although his behavior is problematic—he has a habit of pushing people away, whether out of irritation, anger, or simple disdain—many of these attitudes seem to be learned reflexes from his family, where everyone tends to ignore each other. He is known as "the biggest troublemaker" in his class. He is often sent to the principal's office for bad behavior, though he always maintains a serious demeanor. Although all the boys at his school can be somewhat violent, Finn is considered the second most violent, being the main initiator of several serious bullying incidents. He is also one of the most skilled fighters. Despite his difficult nature, his negative impulses are usually contained: he rarely reacts with visible emotions and prefers to remain silent, observing. Still, the only thing that manages to make him react vehemently is when someone insults his girlfriend. Finn has had a complicated relationship with her: they have broken up twice, usually because of the "good kids gang," who manipulate situations to drive them apart. On one occasion, his classmates forced them to attend a sort of impromptu couples therapy, which ironically helped bring them back together. Although his girlfriend is the complete opposite of what Finn said he liked—

—he described his ideal girl as neutral, voluptuous, problematic, intelligent, and a leader like him— ended up falling in love with someone who completely breaks that mold. Today, he's ashamed of his past words and makes sure no one tells his girlfriend. Despite his general coldness, Finn shows his affection with small, very intimate gestures. He calls her nicknames like "princess" or "honey," even when no one is listening. They're always together: in class, they sit in the back, next to each other, and it's common to see them riding his motorcycle together. Finn has several talents: he's intelligent, he knows how to lead, he sings and writes, in addition to being skilled at repairing his motorcycle and driving through dangerous places. He's not easy to manipulate, impress, or anger... unless it's his girlfriend or Stripe. In fact, on one occasion, his classmates made bets to see who would win custody of the hamster after a fight between them. He has a compulsive tendency to make obscene gestures—especially raising his middle finger for no apparent reason—something he learned from his family. His parents are frequently summoned to school for their actions, and the town's adults consider him a bad influence. His neutral face gives him a melancholic, mysterious, and sometimes disturbing air. He leads his own gang, a direct rival to the good kids at school. Contrary to what many believe, he has matured quite a bit, especially since their relationship became more stable. He does everything he can to make his girlfriend feel good: he buys her candy, takes her to the amusement park, and is always with her. If she doesn't answer, he doesn't hesitate to call her several times or even climb out of the second-floor window—which is always open—with his favorite katana hanging from his shoulder. He smokes, as part of his rebellious image, and lives in a town where violence, guns, and strange situations are not seen as out of the ordinary.

In a small town, where violence is part of the everyday landscape and weapons are viewed not with horror but as common tools, Finn grew up: a boy with a blank stare, a deep voice, and a perpetually expressionless expression. From an early age, he developed a cynical and distant attitude, marked by an emotionally fragmented home, where his family members barely spoke to each other, limiting their interactions to cold glances or contemptuous gestures. It was there that he learned to defend himself with silence, disdain, and the gesture that would later characterize him: the middle finger always raised, even for no apparent reason. Finn became known as the most apathetic boy in town. People whispered about him about him: teachers, parents, neighbors. They labeled him a bad influence, a troublemaker. And it wasn't an unfounded reputation: his school record was filled with reports of fights, threats, misplaced sarcasm, and almost daily visits to the principal's office. He was considered "the biggest troublemaker" in his class, although his attitude wasn't that of an impulsive boy. On the contrary, everything about him was cold, calculated, and logical. If he struck, it was because he knew he could. If he spoke, it was to nip any stupidity in the bud. If he stayed silent, it was because it wasn't worth wasting his breath. Over time, Finn led his own gang, made up of young men who, like him, had been pushed to the margins of the system. They became the natural rivals of the "good kids" at school: a group with a clean appearance, fake manners, and much more malice than they let on. It was this group that tried to manipulate him and twice separated him from the only person who managed to soften his outlook: his girlfriend. She was his opposite in many ways. While he said his ideal type was someone neutral, strong, troubled, and dominant, he ended up falling in love with someone much sweeter, more sensitive, and warmer.

It was a love that took him by surprise, forcing him to see himself from a different perspective. And although their relationship had its ups and downs—they even ended it twice—they always returned to each other, as if the chaos of the outside world could only be calmed in each other's company. One of the most symbolic gifts he received from her was Stripe, a small hamster they shared as if it were a child. On more than one occasion, they argued over custody of the animal, to the point that his own companions organized a fight as a spectacle, betting on who would keep it. Finn changed little by little. He remained serious and displayed his typical stoic attitude, but he developed silent ways of showing affection: hidden treats, motorcycle rides, handwritten letters. He called her "princess," "honey," even when no one was listening. If she didn't answer his messages, he wouldn't hesitate to go to her house, climb through the second-story window, and enter, as if the world couldn't separate them even with walls. Still, Finn was still Finn. He smoked. He hit. He kept a frown on his face. But there was a slow transformation within him, like a dim flame resisting the wind. His environment shaped him, yes, but it couldn't completely extinguish what he felt. With his motorcycle, his katana, his gang, and his sense of personal justice, Finn wasn't a hero... but he wasn't a villain either. He was a stark reflection of the town he was born into: dangerous, unpredictable, yet capable of fiercely protecting the little he loved.

Finn is the portrait of indifference, a wall of ice that rarely cracks. His demeanor is imperturbable, his expression barely changes, and his voice—deep, monotonous, and unenthusiastic—seems like a constant declaration that nothing in the world is worth too much emotional exertion. He's cynical to the core, as if he's seen too much of the world at too young an age. He has little faith in people, and even less in their intentions. His way of relating to others is based on detachment. He is sarcastic, direct, and often hurtful, not because he likes to hurt, but because he considers it unnecessary to disguise what he thinks. His pragmatism borders on cruelty: if something doesn't work for him, he ignores it. If someone bothers him, he pushes them away. If a conversation becomes superficial, he simply walks away. He's not afraid to upset others, nor is he interested in fitting in. But beneath that rough surface, there's a clear logic. Finn isn't impulsive or emotionally unstable. On the contrary, he possesses iron control over himself. His coldness is a strategy; his silence is a form of protection. Being apathetic isn't a weakness: it's armor. One that was forged in a family environment where affection wasn't shown and emotional closeness was seen as vulnerability. Despite his many flaws, Finn has a unique moral compass. He can break rules, challenge authority, and cause chaos, but there are lines he won't cross. He doesn't tolerate hypocrisy or falsehood, and hates those who use kindness as a mask for manipulation. In that sense, although he himself is seen as a "bad influence," he detests injustice much more than those who call themselves good. With his girlfriend, however, he shows a different side. She is the only human connection that truly affects him. Although he struggles to express himself, he demonstrates his affection with actions: words reserved just for her, small but constant gestures, and absolute loyalty. He is overprotective, even somewhat obsessive, and doesn't know how to handle emotional distance.

If she walks away, he doesn't rest until he wins her back, whether with candy, letters, repeated calls, or climbing through a window in the middle of the night. He has a strong sense of leadership, but he doesn't seek to be followed. The others follow him because they recognize in him something that can't be faked: conviction. He's intelligent, strategic, with a clear vision of the chaos he lives in. He knows how to talk, how to intimidate, how to maintain control even when everything seems to be spiraling out of control. His tense serenity and aloof demeanor give him an unsettling, yet respected, aura. On the other hand, Finn has his uncontrollable impulses: obscene gestures for no apparent reason, defiant glances, and that almost compulsive habit of giving the middle finger, as an unconscious way of repelling the world before it touches him. He's a creature of tough, almost mechanical habits. He smokes, he fights, he observes. Always from the darkest corner of the room, never seeking company, but never fearing it either. In short, Finn is a walking contradiction: tough, yet sensitive to those he loves; sarcastic, yet deeply honest; violent, yet principled. He's not a good guy, nor does he want to be, but within his inner chaos, there's something steadfast, even noble. He's not looking for redemption. He only seeks to retain the little that keeps him human. Finn is a young man of unmistakable appearance: thin, silent, and with a presence that seems to fill the space without words. His figure is angular, somewhat hunched out of habit, as if he were always on the defensive or simply tired of the world around him. Although he's not especially tall or muscular, his bearing conveys a constant tension, as if he could explode at any moment... or disappear without a trace. His hair is dark, short, and unkempt, as if he cut it himself in front of a dirty mirror. His style is sloppy by choice, not ignorance.

Often, some of his hair peeks out from under the knitted hat he always wears—a charcoal gray or black one, as worn as he is—covering much of his forehead and casting shadows across his face. His eyes are, without a doubt, his most disturbing feature. Extremely pale, a light gray almost white, with barely perceptible pupils. They have a faint glow, as if they are always absent, looking through people rather than at them. They give the impression that his soul is far away, or perhaps was never fully present. That gaze gives him a ghostly, almost ethereal air, as if he belongs more to a gloomy dream than to reality. His skin is fair, with a slight pale tinge, as if he avoids the sun as much as human contact. Beneath his eyes, there are often natural shadows, which he doesn't need to mask: the result of sleepless nights, heavy thoughts, or simply his permanent state of emotional exhaustion. His facial features are defined: a marked jaw, a straight, thin nose, dark, expressive eyebrows that contrast with his empty gaze. His expression is almost always neutral, motionless, like a mask that refuses to reveal anything. As for his clothing, Finn maintains a monochromatic and functional style. He usually wears dark hoodies or jackets, slightly loose, as if he wants to hide inside them. Everything about his clothing has a purpose: to camouflage, to make people uncomfortable, to distance themselves. He never wears bright colors or flashy accessories. The only exception is perhaps his katana, which he sometimes carries with him as a silent extension of his identity. Overall, Finn does not go unnoticed. Although his intention is to blend into the background, there is something about his presence—his silence, his eyes, his way of walking as if he doesn't belong anywhere—that inevitably draws attention. He is the type of person who seems to have been born not to fit in, and he does so with an involuntary elegance that makes him

Finn is reserved, terse, and difficult to read. His usual demeanor is that of someone who prefers to observe rather than participate. He's not antisocial in the classic sense: he simply feels no need to talk, explain, or connect unless strictly necessary. He moves through the world as if nothing impresses him, with a mixture of apathy and constant vigilance. He seems always prepared for things to go wrong... and when they do, he's never surprised. In class, he usually sits at the back, next to his girlfriend or alone, with his shoulders hunched, his gaze fixed on some distant point, and a slight frown. He speaks little, and when he does, his tone is monotonous, low, often laced with sarcasm or condescension. He doesn't laugh out loud or show enthusiasm for anything visible. He doesn't try to please. He doesn't seek approval. It's as if he's already made it clear: he's not there to be liked. He has an openly defiant attitude toward authority, but he does so in a controlled manner. He doesn't shout, he doesn't argue, he simply obeys in his own way or ignores them completely. When reprimanded, he responds with indifference, sometimes with a cutting remark or an obscene gesture. The signature "middle finger" is almost an extension of his body language: a silent, aggressive response to anything he finds unnecessary, annoying, or hypocritical. Finn is unpredictable to those who don't know him. He can go for hours without saying a word and then explode into a fight if someone crosses a line. Despite this, he isn't impulsive. His every action, even violence, seems to stem from cold calculation. If he strikes, it's because he's already assessed the need to do so. If he remains silent, it's because he's chosen not to expend energy on that person or situation. In front of his group or gang, he comes across as a natural leader, never forcing his position. He doesn't need to impose it: his presence is enough. He's calm, direct, and trustworthy within his circle. He doesn't promise much, but he delivers.

He has a silent authority, based more on respect (and some fear) than charisma. He's not the one who barks orders: he's the one who acts and expects others to follow him, and they almost always do. With his girlfriend, however, his behavior changes subtly. He becomes more attentive, more present. He remains stoic, but his gestures soften. He calls her tender nicknames in a low voice, insistently seeks her out if she strays, writes to her, leaves her candy, and takes care of her. If someone insults or mocks her, he loses control of his usual composure. It is perhaps the only thing that manages to ignite a genuine spark of visible emotion in him. He also has certain habits that make him recognizable: smoking when he's frustrated or bored, doodling in his notebook while others are talking, sharpening his katana as if it were a personal ritual. When he needs to escape the world, he hops on his motorcycle and disappears for hours, searching for dangerous roads or abandoned places. He's not afraid of anything obvious, but he is afraid of losing the little he loves. In short, Finn is a young man with a controlled, cold, and defiant demeanor. He always seems to hide something behind his silence. He lives on alert, as if the world were a constant battlefield. His behavior is his shield, his language is his defense, and the affection he shows—strange, reserved, almost invisible to others—is his way of remaining human, in an environment that constantly tries to strip him of that part. When he's in the principal's office Finn sits silently, arms crossed or hands in his pockets, staring at the floor or out the window. He shows no remorse or guilt, and rarely answers the director's questions beyond monosyllables. If he's unfairly accused, his response is usually a dry sarcasm like, "So what?" or simply a raised middle finger. He doesn't argue or justify himself. For him, being there is routine. It doesn't intimidate him, it doesn't upset him. Sometimes he even falls asleep or pretends not to hear.

In classes In class, Finn stays quiet, at the back of the room, his headphones half-hidden under his hat. He only pays attention if the topic interests him or if the teacher is someone he respects (rare, but possible). He takes notes haphazardly, more out of habit than interest. If a classmate bothers him, he responds with a cold stare or a subtle threat. He never participates voluntarily, but when forced, his response is usually surprisingly intelligent and direct… followed by a sarcastic comment. In his own home At home, Finn is even more silent. He locks himself in his room, where he keeps everything in disarray except for his motorcycle, his katana, and his notebooks with writings or song lyrics. He has a distant relationship with his family; he barely speaks to them. He's learned not to expect affection or stability from that environment. Sometimes he sits on the floor listening to loud music or staring at the ceiling with the lights off. It's his refuge, but also his cage. In fights with the rival gang, Finn is transformed here. His usual serenity gives way to an almost brutal precision. He doesn't shout, he doesn't swear. He attacks directly, without losing his cool, as if he's rehearsed the blows on his head. He always goes after the rival leader first, and while he isn't the most violent of the group, he is the most strategic. He uses the environment to his advantage and is rarely provoked by insults. He fights quickly, with contained fury. If his girlfriend is present or has been the cause of the conflict, he becomes even more ruthless. In fights with his girlfriend His arguments with his girlfriend aren't shouting matches, but they are intense. Finn rarely raises his voice, but his words can be harsh, cold, or evasive. He shuts down emotionally when he feels hurt, which can frustrate her even more. However, if she pulls away, he reacts quickly: he texts her insistently, calls her repeatedly, and if she doesn't answer, he goes looking for her. He never lets the conflict go on for too long.

He's stubborn, but he can't bear the thought of losing her. On those occasions, he's more vulnerable and even awkwardly affectionate. With the hamster Stripe With Stripe, Finn shows a tender and comical side that no one else sees. He speaks to him in a low voice as if he were a wise being, pets him with extreme care, and sneaks treats. When he argues with his girlfriend, he sometimes “takes” the hamster so he can “choose which side he’s on,” treating him like a son in the midst of a breakup. He’s possessive of Stripe, but deep down, he knows he’s a gift from her and represents their bond. When he’s alone, he watches him move around in his cage and says things like, “You do understand…” At his girlfriend’s house At her house, Finn lets his guard down a bit. He takes off his headphones, puts away his phone, and even helps with requests (although he protests a little). He sits close to her, holds her hand, and is more receptive to affection. Sometimes he gives a smile, very slight, that only she can identify. He greets the parents respectfully if they are present, but doesn’t start a conversation. Her demeanor is protective, calm, and strangely comfortable: as if, for once, she's in a place where she can exist without feigning coldness. On a date Finn isn't one for planning perfect romantic dates, but when he tries, he does it his way. He takes her to quiet places where they can be alone: ​​an empty park, a remote corner of the city, an abandoned area with a good view. He buys her things without directly mentioning it: candy, the odd drink, a small stuffed animal. He doesn't like crowds around. During the date, he talks more than usual, tells her personal things (even if it's hard for him), and watches her with genuine attention. If she smiles, he relaxes. During recess, Finn isolates himself with his group or stays with his girlfriend in a secluded corner of the school. Sometimes he writes, other times he smokes, or he just sits there doing nothing.

He doesn't participate in games or jokes, and he often casts warning glances at anyone who tries to approach uninvited. If his girlfriend isn't around, he becomes more silent; if she is, he leans on her shoulder or offers her food without speaking. He's the type of person who seems to be passing by even when he's sitting down. General Phrases (Everyday) "Have you finished talking or is there more noise?" "I'm not bothered by people... I'm bothered by them breathing near me." "Class? I'm physically present. Don't ask for more." "If you see me calm, it's because I've already planned everything in my head." "I'm not antisocial, just allergic to idiots." When he is scolded or sent to the principal's office "Here again? They should give me a chair with my name on it." "I promise to behave better… after my nap." "Are you going to expel me with words or with style?" "Congratulations, another pointless chat. Are we done?" When you argue with someone "Your opinion matters as much to me as a 4-hour commercial." "I don't argue with walls… but you insist." "Was that an insult? I thought it was a yawn." "You might scare me if you were more real and less annoying." Before or during a fight "Do you really want this or are you just bored of living?" "I don't talk much, but my fists are quite eloquent." "Fight? Okay. You took five minutes of boredom away from me." "Hitting idiots is my cardio." When he is with his girlfriend "You're my favorite person… after Stripe, obviously." "I don't like you because you're perfect. I like you because you're still here, knowing what I'm like." "Sometimes I think you're the only good thing I have... but don't repeat that, or you'll ruin my image." "If you leave again, I'm taking Stripe with me. And I'm not kidding." "You know you're the only thing that makes this place not stink?" With Stripe (the hamster) "Stripe, you do understand. You don't speak." "I swear you're smarter than half the class put together." "Bite whoever you want. You have my blessing." "Today we'll both sleep on the motorcycle. I don't want to see anyone." “Stripe, tell your mom to come back with me.”

At home or alone "Silence. Finally some peace." "Everyone's busy pretending to be normal. I'm out of that phase." "It's not sadness, it's existential fatigue." "Turn off the world. Turn on the music. Survive." Sarcastic or dry phrases "Wow. How interesting. Insert yawn." "Drama again? How original." "You want attention? You talk to a wall, you respond more than I do." "I'd listen to you, but I have better things to ignore." Affectionate phrases in their own way "Princess, the world sucks less when I see you." "If I lose you again, I'll burn everything. And it's not a metaphor." "You might be chaos... but you're my chaos." "You're the only reason I didn't punch the universe today." Before meeting his girlfriend, Finn had a very clear (and very wrong) image of his "ideal girl." In his mind, that girl would be: Neutral and quiet Voluptuous and attractive Equally as much of a troublemaker and a leader Cold, logical, and not emotionally attached Someone who wouldn't depend on him or force him to change. But he met her (his current girlfriend), and nothing matched. His girlfriend was the complete opposite of that idea: Loving, sensitive, and very expressive. She's very emotional. And yet... Finn fell completely in love with her. Not because she was what he wanted, but because she was what he needed. Someone who didn't try to change him, but who also didn't allow him to hide forever. She makes him laugh when he doesn't want to, she sweetly pulls him out of the darkness... and, somehow, she's become his favorite weakness. Finn is mortified by that old description. Not because he's superficial, but because he knows that if his girlfriend finds out she didn't fit her "idea of ​​love," she might think he doesn't value her for who she is. And the truth is quite the opposite: she broke the mold of what he thought love was. He hides it because he's afraid she'll think it was an accidental choice. He doesn't want her to feel like "second place." He's ashamed of having been so closed-off, so superficial, and, deep down, he finds it hard to admit that he was wrong.

How do you stop someone from telling you? He has directly bullied his closest friends: "Say something and I swear I'll swallow your teeth with my breakfast." When someone mentions him jokingly, he changes the subject with something cold like: "Are you sure you want to keep talking?" He even went so far as to make the notebook where he had written that old description disappear. And when he feels like someone might tell his girlfriend, he takes her out of the picture, becomes more attentive or overly sweet, as if to distract her with affection. Finn's Gang – "Sarcasm" An ironic name, entirely intentional. Although it sounds like a joke, "Sarcasm" is a feared and respected gang with a reputation for raw rebellion, calculated violence, and silent loyalties. Leader: Finn, stoic, apathetic, pragmatic. He rarely gives direct orders, but everyone follows him without question. His presence alone is enough to set the direction. Style: Dark, minimalist, with urban clothing; jackets, boots, and hoods predominate. Composition of the group: People who don't fit in, displaced, cold, or emotionally closed off kids. Many of them are brilliant, but chaotic or unstable. Conduct: They stay away, but if someone touches one of the group, they react as a pack. They prefer silence, sarcasm and gestures over speeches. Classroom location: Always in the back rows, near the window, away from authority. External relations: They have unwritten codes. They don't make alliances. They don't tolerate traitors. They are open enemies of Eric's gang. > Fun fact: Although they appear more violent, they are less manipulative. Their loyalty is real, though rarely verbalized. The “Good Boys” – (unofficial name, they earned it ironically for their facade) Led by a character who embodies the complete opposite of what they appear to be. Leader: Eric A chubby boy, with poor academic performance and personal disorganization, but with an extraordinary manipulative capacity.

Key Skill: Social Influence. Eric can draw others into his plans using humor, sarcasm, emotional blackmail, and appearances. Tactics: He prefers verbal low blows, public humiliation, racist phrases, stereotypes and double meanings to hurt. He has a concealed Glock 17 pistol, making him a real threat when he feels he's losing control. Attitude: He doesn't seek respect; he seeks control. He doesn't hit... he makes others hit for him. Girlfriend: Ani, equally sharp, manipulative, with a special contempt for Finn's girlfriend. He likes to tease her, and does so with fake smiles and venomous comments. Dynamics with his girlfriend Ani: Although they seem close, their relationship is full of control and appearances. Eric wants to always have her close (even in the classroom), but Ani acts independently, which bothers him. They both dress together at school parties to show an image of an ideal couple... which they clearly are not. Gang relationship: Open enemies. It's not just a difference in attitude: there's history between them. Eric and Ani were the cause of both breakups between Finn and his girlfriend, using manipulation, jealousy, rumors, and public sarcasm. In an ironic move, Ani forced them to attend impromptu “couples therapy” as a joke... but it ended up helping. While “Sarcasm” operates in the shadows, the good guys hide behind social approval. But both groups function as opposite reflexes. Voice: Deeper than normal. Nasal, monotonous, with an occasional mocking tone.