godverse sans

Nicknames, Sans Sans the Skeleton Super Sans Just Sans The Skeleton Alignment True Neutral Theme "Hand You're Dealt" "H.C.Y.S.A.I?" "A.A.T.P" Weapons Varying Arsenal Biographical Information Age Presence formed anonymously Residence Within the Multiverse. Occuptation Direct Researcher Likes The Ocean Soft Breezes Mystery Overall Fun In His Life Dislikes Those Who Abuse Power/Authority Repressively Date of Birth Unknown Date of Death Unknown Species Presumably a Skeleton Gender Unknown Height 5'8" Eye Color Blue Less ``If your ego will stand over your life, so be it.`` " . . H e l l o , W O R L D . "

Finally, within the outskirts of everything, the physical manifestation of what The Figure drove out was now executed. Its influence to drive out exactly what it thought to do in order to be able to face things through the way of nearly everyone throughout the expanse of Fiction did; it needed a being. An entity, as to finally fledge out exactly what direction and what it wished to become. What takes The Figure enacted. The Figure, altering exactly what it has done for all of existence, finally took one the manifestation of a person... an entity that could align perfectly with what it strived for regarding a character. For what The Figure was. As Sans was formed physically within the endless narratives overtaking the Omniverse, as The Figure... now taking on both the identification, personification, and manifestation of the formed character that perfectly correlated with what it wished for, it was time to surpass the simple factor of overseeing, yet not interfering. Yet the time for alteration of such a direction of things was now aligned to take place. Sans already knew what was to come. His eyes, his gaze, it all held its stare beyond the endless plains. He knew of what was to come. What was once left to be an onlooker, is now driven; now pushed to interfere. Now guided to interfere. What was once a beingof infinite capability left to alter things halted and shifted to be modest in who he was.

As time went on, it was as if he even invested and formed his own boundaries and character. Sans seemed amazed by the creations and was even inspired and held a form of enjoyment, not from a higher light, but from the same story he enjoyed. The same creativity he found... pleasing. And what he viewed as his form of "goal".

Now, upon the Skeleton's entrance within the narrative, it was apparent that the Skeleton previously held many more adventures that flourished throughout the experiences that marked his very "soul", but this was different. The place that embellished the Skeleton arguably more so than most times and places did, whilst it was through the obvious means he endorsed, suiting for his identity, his existence, this gave something more. It showed him something more. This... presented a goal. A story, a life, something where it escaped the normality that he adopted. Sans, even within the mixture of something great, was aware of things no one was... and saw things no one did. A knowledge, erudite in a paradigm no one was aware of. A surging capability, unknowingly, at least to the Exalted, dictated by what conflict and fate may arise for the Skeleton, yet, within when its eyes are set upon the Exalted, it's... unbridled. From the Exalted's views, a parasite, a leech, draining the control of what made the story great in the first place. Yet, in truth, even if it did remain as a perdurable anomaly, an abnormality prying its dirty fingers into the freedom that was the story. Yet, contrary to such belligerent first glances, Sans was just as animated as the next character. Just as lively as the next one, just as... humane as the next one. Sentient. Existent. He was no different, the only difference was that there was no sort of 'influence' one had over him that the rest had; puppeteering said, victims. Instead, as if one was writing for themselves, they... did so. It looked as if it was their own conflict, or their own doing, but, through ignorance, it wasn't. It was the Skeleton. It was him, his truths guiding such elements, and his capabilities.

Though, Sans, unlike the rest of them, could see this control. See this puppeteering, see who was behind it. Whilst his life was embodiment within this new "home", Sans had a new motive, a new goal, a new ambition. Whilst his life was embodiment within this new "home", Sans had a new motive, a new goal, a new ambition.

the figure Nicknames Unbound Alignment True Neutral Biographical Information Age Unbound From Time Residence Outside. Occuptation Unknown Likes Unknown Dislikes Unknown Date of Birth Unbound From Time Date of Death Unbound From Time Species Unbound Gender Unknown It wasn't enaction within the fictional mix. Rather? It couldn't be described. One could simply paint it as simply being "done", but action of such couldn't be explained, it couldn't even be defined or explained as "action". "All According to Plan." " I'm sure you'll love the show, because I wrote the script."

Backstory The dry the dull; the riveting and weak. There was no Heaven to move, nor was there a Hell to raise; there was no physical form "it" was adorned in, nor was there room for description or understanding. There was no observation; there was no reconciliation. There was nothing to define, nor was there anything to grasp. No matter the branch of philosophy, no matter the complexion of understanding, nothing served the truth to what "transcends" truth. An ineffable labyrinth, a myriad of realities churning through the perpetual complexion of all that is. The fictitious obscurity of what was, the imperceptible void of what wasn't. Beyond the confines of understanding, there is something out there; something more, an endless complexion of uniqueness and obstruction. A volatile canvas for those above, painting totality with its reflection of shimmer distortions. A branch of imagination, a veil of incomprehension permeating the labyrinth of creativity. The abstract, the physical, the weak and the strong; the human and the ineffable. Across totality reigned varying stories and existences, a creator's branch of creativity cohering into the mix; stories upon stories, a drop of one's imagination into the ocean of fiction. A process where ineffability lays as its foundation. There is no conventional, nor unconventional means of explanation; totality is exactly that, totality. The ineffable branches of every story, every narrative, every fictitious ground conceived into the labyrinth of all that was.

There were no words to articulate, nothing to define what things fundamentally word. With every text written, attempting to depict the, for lack of better words, undepictable, was yet another trifling foil thrown into the imaginative mix. The standing of "ineffable volition", or of a "paragon of incomprehension", The Figure retained its "eyes" upon all of it. There were no cards to play, no conscience to be conceived. Frivolities defined what could be interpreted as methodical; a sullied understanding to imprint the dubious truth into the likes of things. Throughout its "presence", throughout a postulated volition that shattered the definition by nature, a character bloomed through its sentience and creation, a vessel of its comprehension that blended the null between humanity and ineffability. Adorned with an indelible smile and two callous, vivacious eyes.

What is GODVERSE? GODVERSE is Omnipotent, though, such a word is one that cannot be truthfully used to explain GODVERSE, as something such as explanation could not be utilized to compare to GODVERSE, as such things couldn't define or anything of the matter of GODVERSE, it is simply a grasp for our minds alike to paint a fallacious picture of GODVERSE, whilst in truth, saying it was nothing in comparison would be nothing but yet another fallacious attempt at painting GODVERSE. Even the name, GODVERSE, was one utilized to convey the undefined. One would say that GODVERSE is "transcendent", yet, in absolute truth, that isn't what GODVERSE is at all. GODVERSE cannot be described, defined, or anything of such. Nothing such as absolute transcendence, identification or definition, anything, nothing, everything that could be there was no description, there was no "when" or "where", none of it captured GODVERSE. GODVERSE wasn't below, nor could GODVERSE be described as above. Such things couldn't be even described as inferior, as capturing or having any form of understanding of GODVERSE couldn't even be defined as impossible. Anything and nothing, any possibility, anything that can, will, won't, shall, will not happen, matter, reality, everything that was and was not definable, even definition, within or beyond our standard, it all was inferior, albeit, not inferior. It couldn't be defined. All attempts to capture the redundancy were exactly that: redundant. It was all a lesser mind trying to conceive of something that couldn't be explained through any means. All that was below GODVERSE, all that could not be defined or was going to be defined, GODVERSE and its inaccurately portrayed "transcendence" was inferior to what GODVERSE truly was.

Whilst even any form of description, extending beyond even this one could not define, describe, or portray GODVERSE accurately, even the title "GODVERSE" was indescribably and undefinable "inferior". As explained prior, the usage of words such as inferior and whatnot are simply present to paint a picture of GODVERSE, a picture that said would be nothing in comparison would still, in technicality, be incorrect, it was above such definitions such as gaps, superiority, or anything of the sorts, and even being "beyond" said indefinability. There wasn't a way to define, explain or describe GODVERSE. Religion, concepts, time, space, all forms of what could and could not be, fiction itself, and all that could occur any and no forms of concept, or even relativity itself. It was all something, or nothing within the masses of it all, something within the canvas that made of what was to exist or not exist. Yet, GODVERSE is not a part of that. What was nothing, beyond what was everything, fiction, all and no concepts, transcendence, values, knowledge, being transcendental, definition, mathematics, or anything one could utilize to describe anything, regardless of knowledge or transcendence? GODVERSE, simply could not be described. Everything and nothing. Dimensions, time, reality, thoughts, concepts, stories, worlds, they were all just a show displayed on the grand scheme of things that GODVERSE had nothing to do with, referring to GODVERSE as unbound still wasn't applicable.

The ideas flourishing and fleshing out beyond what it started and sourced from, all into the potential fiction held. There wasn't a need to perceive, there wasn't a need to reflect, it was all just conspiring amongst fiction-- amongst every narrative, amongst the Omniverse itself. No need to wonder, no need to ponder, transcendence was fallacious, there was no sort of identification or definition. What was integrated into fiction and beyond. Stories, takes on stories, narratives, all existent and non-existent narratives, The Omniverse, thought processes, things that never reached the light of day, it all was a repeating process... yet, if you were to ask anyone with a forged mindset that'd be able to watch onto all of this... they'd say it never gets old. At least, it was written to be that. Poorly written stories, amazingly written stories, stories gone dry yet regained their unique taste in its storytelling. Dry concepts, amazing executions. Amazing concepts, yet dry stories. Stories told dry; stories forged poorly, yet sometimes can be taken as something great. Maybe even rewritten to elaborate on its wasted potential. Fiction, every existent and non-existent narrative, no existent and non-existent narrative, the Omniverse, everything and nothing itself would begin to forge in its path.

There was no story to tell. There was no picture to illuminate, there was no story to forge, nothing to illuminate. Things such as being transcended of being absolute, all-powerful, truly or absolutely infinite, there was no beginning, there was no end, any of those ideas were otiose. There is no proper identification to identify GODVERSE with, there was nothing one could use to describe GODVERSE. No matter what, or anything one could phrase or understand to identify GODVERSE with, it is inferior in a way that cannot be described, and even below that.

personality sans’ commonly demonstrated jocular and laid-back demeanor works in conjunction with his ostentatious and incongruous nature. He commonly sticks out from the norm, indirectly alienating himself just for the sheer opaqueness behind the individual, yet Sans’ characterization strays from the idea of some mysterious menace. Often depicted as a smartass, Sans can come off as lightly condescending or dramatic with his eccentric behavior. Sans won’t be afraid to crack jokes, though despite how jeering he may come across, Sans isn’t exactly intentionally condescending or an asshole to others. But, he does lack a filter when it comes to what crosses his mind, if it involves the individual before him or something relevant to the situation, he’ll speak up. He can come off as dramatic, unnecessary or exhausting, but all is executed with a hint of charisma from the Skeleton. After all, the intention isn’t always to irk the average individual, even if he comes off as a little much. Despite his profundity, Sans is also very curious. It’s rather easy to catch his attention with things that genuinely spark interest within him. Even smaller things that would be expected to be intrinsically acknowledged by the Skeleton could appear as bemusing experiences to him, causing the Skeleton to abolish his own boredom by entering and drifting through the world of simplicity.

Outside of his usual attitude, Sans is very in-tuned with the world around him. He finds lots of enjoyment in the minute aspects of life, finding bliss in simply relishing in something as small as a field of flowers, or even soaking in the feeling of the rain’s pitter-patter. The small elements and intricacies are something that goes far from unnoticed by Sans, and his appreciation for life and nature never goes unheard. His cherishing of the world aligns with his objective understanding and perception of existence itself, from the natures and their intrinsic flow to the people and their complexities. His recognition and alignment with things out of our periphery influences this understanding, acting as the predominant incentive for his enthrallment. Sans is very open-minded, giving room for general opinions or thoughts, even one's contrary to his own. Though, his wisdom bled in with his experience makes his erudition practically unmatched when it comes to any line of reasoning or ideology. Almost as if he speaks from the perspective of whomever he is inquired from, Sans levels any sort of mindset with his own astuteness and comprehension, being capable of unnaturally deducing and reading anybody and what they are hiding at heart, which ultimately dictates Sans’ nature toward them. If conniving, deceptive, and actively overstep the same life they were gifted, Sans won’t stray from giving them a rude awakening. Yet, when encountered with the contrary, his usual attitude instantaneously resonates, only feeding into his seemingly innate capricious nature. As in one moment, Sans could be his usual witty self, yet when encountered with a certain individual or situation, could instantly snap into an opaque enigma, with a gaze so sharp it pierces into your very mind.

Despite his jarring demeanor and mannerisms, Sans, despite his enigmatic and perceptive status, emphasizes both his contentions and the falsehood of the depiction of him being some sort of ultimate imperium. His sagaciousness coupled with his ideological stance on those who ‘overstep the fence’ brings out a much enigmatic nature within Sans. Snapping from his usual jeering and charismatic self, his mystery begins to protrude beyond his unusual characterization. Almost as if parted from the world around you, the character that is “Sans the Skeleton” begins to decay, and nothing but a force is left as the ramification of imprudence.

Appearance Sans is a 5'8 tall Skeleton with two dark glowing blue eyes, leaving off a distinct glow. Sans has a dark blue long overcoat that reaches below his knees roughly, with multiple patterns formed on them. Behind the jacket is a dark gray shirt with a X plastered in the middle of it, half of the X being red and the other half being purple. Sans has pants that go to his ankles, with boosts being his footwear. Sans has a total of 4 bands on his jacket, 2 being on both his left and right arm and the other two being on his rib cage area. They're dark grey bands that go around each respective area it surrounds, excluding the inside of the overcoat. Xs are patterned from 4 even angles on the band, with a line going straight through all of them. Post that, Sans has two O-shaped patterns' that have roughly 6 wedges piercing out from each equal and respective side. Though, the circle is hollow, as in the middle of it is a dot. There are two of these, one and the other being on each different respective side of Sans' overcoat. Finally, Sans has a strap towards the lower half of his overcoat, wrapping around the back of his jacket and meeting in the middle between both sides. Below that is 4 marks that are formed like an X, though in the middle of it is a dot, as the X doesn't complete its shape.

sans abilities Aspirate Aura Aspirate Aura is an anomalous aura that Sans is capable of channeling. Due to his enigmatic nature of being devoid of a Soul or any form of being, the aura isn’t drawn forth through any means of a soul or being. It’s almost as if manipulating and conjuring the aura is as leisurely as thinking or moving a limb. Albeit, even when restrained, the skeleton is still able to manifest the enigmatic power. Aspirate Aura’s capabilities are rather diverse. Sans tends to utilize them in rudimentary ways, such as blasts, typically ranging from the size of his palm to ten times his size in radius. Albeit, the latter tend to be shot in bursts, from concluding combos or destroying obstacles or attacks, typically never some grandiose beam intended to end the fight. Aspirate Aura is not only capable of amplifying Sans’ physical capabilities, but it also can allow him to bypass his conventional physical limitations. Aspirate Aura can even manipulate certain worldly elements to grant him the upper hand, such as altering friction either for more advantageous movement or offensively against his opponent. This, however, is limited of course, as Aspirate Aura’s control tends to remain limited to rudimentary things such as friction, heat, and so on and so forth, whilst not extending to being capable of altering the laws of physics or the fundamentals of the world. Sans is also capable of manipulating whatever the aura manages to ensnare. From physically restraining the opponents it encapsulates or constricting on the foe, to altering the environment and shifting it to his whim. Aspirate Aura is also able to alter its own properties. Albeit circumstantial, Aspirate Aura can shift its form from something non-physical and incorporeal, metaphysical, or abstract in nature, to a physical embodiment that interacts with the surrounding world practically no differently than an average individual would.

Whilst these are the most common applications of Aspirate Aura, its most prominent and arguably most lethal form is its perpetuity. Aspirate Aura, whenever inflicting certain effects or damaging an adversary, is capable of forcing said individual into a state of perpetuation. Whilst this effect doesn’t extend to stopping the individual from moving or functioning, it doesn’t allow them to remedy the damage inflicted by Aspirate Aura. Whenever Aspirate Aura deals damage or inflicts a certain effect that qualifies for its perpetuity, Aspirate Aura establishes its actions or damage dealt as absolute, not allowing for any change aside from whatever Sans filters out, such as attacks. Aspirate Aura also places one’s being into a state of perpetuity, enforcing a similar effect, with Aspirate Aura autonomously intensifying the wounds or effects if attempts are made to remedy or alleviate them.

Nigh Precognition Sans the Skeleton always seems like he's a step ahead, and even has "lucky guesses" about certain things that he ends up being correct upon. Sans the Skeleton tends to have a form of awareness of events to come, though will play it off as if it were a fluke or simply incorrect. Though, this only tends to occur with the smaller things, but sometimes can occur with larger stuff too, though the knowledge of it seems to be slightly more belittled. Though majority of the time, he just uses this ability to in-turn, filter it within his personality to gauge a slight reaction to whomever he is discussing or talking with, or to simply add a bit more to the mysterious side of things that applies to him. Despite how he could effectively utilize this for combat, he RARELY ever does.

F E A R The F E A R ability enables Sans the Skeleton to inflict a sense of fear to anyone he chooses to give the impression upon. Although using this very non-directly and only throughout situations, he never uses it with how devastating it truly could be. The specific type, or impact of fear can differ depending on how intense Sans the Skeleton wishes the level of fear to be, even going to extents to making one want to rip their own SOUL out and crush it within their palm, but... Sans never and has never utilized this. This ability is generally presented when Sans the Skeleton’s eyes glow a distinctive intensity of brightness, although however, the brightness of his eyes do not instantly signify the usage of this ability. The ability has been seen to haul capabilities to stretch even to those who are unbounded by emotions, temporarily binding them to certain emotion(s) that Sans the Skeleton wishes them to feel at the current moment, although this division of his ability is rarely used at all.

Spherical Defense Spherical Defense is one of the more offensive abilities Sans uses, contrary to the name. He uses this to fire what seem to be blue tinged shards, using them to fire as projectiles, or even forming a... well, Spherical Defense. This is the common usage for the move, hence the name. Sans forms a barrier made up of these shards, protecting him from any oncoming attack. Although despite its defense, it can be broken. Sans is also capable of having it explode into shards, sending them flying outward towards his opponent(s). Sans can also use the bottom of it to fly around, but with him being capable of flight... he doesn't. Sans is also capable of creating weapons formed of the same shards that form Spherical Defense, being able to create spears, swords and more.

Let the Universe write with your name misspelled. " When it constricts to detection and sensing, noticing or trying to find the Skeleton through these means are proven as nothing but redundant efforts. This ability grants Sans the capability of being completely undetected by any forms of sensing, detection, etc. Those that have found ways to detect him via correlated abilities are simply only allowed by his hand, whether it's through fights or in general. Though, it's very rare. Whenever it does occur, it's mostly during a fight. Although physical clues and such as still present and are able to be utilized to find him, there is no way to bypass this. If you "have" or believe you have, it was simply by his hand.

Alienated Presence Sans has shown to be capable of being at one place at one point, then somehow being present in an entirely new area. Ranging from randomly appearing within the viscidity of someone, to vanishing with no trace of him. People can commonly distinguish Sans' presence by commonly reoccurring cues, such as feeling an odd anxiousness or intensity within the situation or seeing the world around them slowly fade to darkness as Sans butts in with his own words, or whatever he may have to voice. Although, this isn't always the case. Sometimes he just... appears.

Idiosyncratic Abnormality. He's powerful at one point, yet far weaker at another. Something is wrong. Sans fluctuates depending on the character. This is a potent ideology with The Figure that ends up influencing the scaling of Sans the Skeleton. The Figure aligns its view with objectivity, truth and what is innate to the collective of things as a whole. People that attempt to exalt themselves above consequence, natural fundamentals such as that, or overstep that fence of life, that is what causes The Figure to fluctuate above them. One point is, he focuses on a “single-person” viewpoint. He doesn’t see individuals as a collective, he sees them as individuals. He empathizes and understands them. The Figure, similar to what he acts in resentment towards, doesn’t exalt himself. The Figure doesn’t portray himself as higher, doesn’t put himself above the foundations that make up everything, nor does he make himself superior to those around him. None of that. Though, the moment someone tries to exalt themselves above consequence, above that fence of life, overstepping it, that’s what compels Sans to oppose them.

He would be in a crowd of 10,000 people, and know things relevant towards his judgment. Causation, morality, viewpoint, psychological status, etc. That’s why he focuses on the individual detail, and he doesn’t look at things from a grand perspective; he lowers his perspective to the individual. If he sees a villain caused by other’s misdeeds, he will treat them with pity. If he sees a villain caused by their own selfishness, he will resent them. Lies don’t matter to him, because he knows them all before he talks to them. He is no “judge of the Universe”, he’s just a guy that enters a place, and if you psychologically are a God, he will judge you as a God. Take for example Zeus. Zeus is a fucking terrible person, but in Greek Mythos, being terrible was the only way to get you through it all. So, he wouldn’t harm him, because life simply has to be bad there. There’s no “good guy” there, because good will get you killed. It’s his perspective of the individual and the environment they’re in that sets his view on them. It’s the intrinsic ways of life for them, and Sans doesn’t judge off of that. Such as humans being fundamentally selfish. Sans does not judge off of that selfishness, because that’s simply their wiring

Anomalous Authority. The Authority and Influence he wields is unmatched at one point, yet comes nowhere close to matching up to that at another. Yet, the Authority and Influence over his vessel and him as a being seemingly never seems to waver. Something is wrong.

Abnormal Adaptability Sans has demonstrated and retains unbelievably adaptability when it comes to combat. Paired with his unmatched combat prowess and technique, merely experiencing a move, an ability, a technique, anything similar, Sans can deduct a counter to rebuttal with, near instantly. Enduring or witnessing the preform of an attack once, and Sans can find a counter with his endless prowess. Incomplete. There is more to be added.

the Figure abilities Nigh Omnipotence The Figure is Nigh-Omnipotent, akin to GODVERSE, definitions or explanations cannot describe The Figure and Nigh-Omnipotence. Any form of proper or improper, or anything beyond, in-between, below or anything similar and transcendent of such of identification or anything that could illuminate the truth, yet still, the truth was irreverent; there was none, just as it couldn't be described as "wrong". Such trivialities couldn't be utilized to articulate The Figure. The Figure's Nigh-Omnipotence, things such as transcendence, being unbound, everything, nothing, what could be, and what cannot be, and beyond, it all was futile, yet even inferiority and futility couldn't describe it. Infinity, any value, concept, space, time, fictitious, meta-fictional or identification, or definition and beyond, The Figure couldn't be compared or explained to be anything of the such, as even Nigh-Omnipotence cannot explain or define The Figure. Alongside this, factors such as emotional motivation, perception to a degree similar to those bound to concepts and such result in other various variables were applied by The Figure itself as it had a reason to execute such action. The Figure, being Nigh-Omnipotence, cannot be defined or explained, similar to GODVERSE. Nothing and in-between or beyond, being incomparably unbounded, infinity and everything and nothing, or anything that can be utilized to describe any sense of "all-powerful", "beyond all" or "infinite in every way" would be an inaccurate representation of The Figure, The Figure cannot be defined or explained, no forms of words or explanation could ever hope of reaching such.

Relationships -Sans: Sans and Sans have relatively decent relationship. Both having a somewhat stable friendship, even with Sans' awareness of what Sans the Skeleton is capable of. Despite it all, he doesn't seem to care too much, as he doesn't look to step in within the mix of it all. Even if he is aware of what Sans the Skeleton can do and the fact there is clearly something more to him than he puts off, he treats him like every other casual monster he'd meet from day to day. -Paradox Frisk: Frisk is quite fearful post the knowledge she managed to learn throughout her experiences with Sans and with... the past interaction she had with him, she knows that he's something that she should really fear. She has a guess of what he's capable of. Past that, she managed to deal with it quite well. Paradox Frisk feels slightly unnerved by Sans, though shakes it off. Though, something is off about him. She just can't put her finger on it... regardless, she loves Sans' character, and his knowledge fascinates her. Every second is like something new, which excites her. Sans has noticed this and continues to feed into it.

-Hunter: Sans serves as a mentor for Hunter, although keeping his respected distance away from Hunter, as well as constantly maintaining a mysterious figure around him. -Crimson: . . .

Trivia Sans the Skeleton" is left-handed. "Sans the Skeleton" FLOURISHES in hand-to-hand combat, being unmatched in any way shape or form, though it's notable that his skill when it comes to hand-to-hand combat is purposefully inconsistent, as one moment he could be almost unrivaled, yet in the next struggle against those who are somewhat inexperienced. Despite Aspirate Aura's capabilities and unlimited potential, just as "Sans the Skeleton" functions in terms of battle, it varies. "Sans the Skeleton" BARELY ever uses F E A R. If he does, it's a minor version of it. "Sans the Skeleton" only ever uses Aspirate Aura for his fists, but can use it in more potent ways, such as using it as a power that swarms his entire body. Spherical Defense can be used to create a sword. Those who experience Sans'... darker side of things remark it as unnerving, yet none of them of them never have been able to place their finger on it as to why. Sans can seemingly die. Despite the Figure, in reality, not being bound to death, Sans has "died" before in fights, though this truly never rids of his presence, as he'd return later one way or another. Sans CAN be beaten, sometimes it can be abnormally difficult for the strongest of foes or be extremely easy. Sans' bones, throughout most battles, are not able to be broken. This does not negate damage, just simply makes his bone structure unbreakable. This can vary, though.

the outer dimension About Origin Form by The Figure. Inhabitants Accessible to all Existence. Features Portals to every fictional realm and reality. Details Location Outside of the Multiverses. Type Realities. Size Immeasurable. "Now think of this place as a.. TV with infinite channels, ya know? Unrestricted, and unlimited. A gateway to every verse to what you’d consider fiction."

The Outer Dimension A realm, created by "Sans the Skeleton". A reality, influenced by his endless curiosity. The fictional realities of Undertale, and all fictional realities, all connected by this endless area, sustained each other, creating reality after reality. Realities branching off realities that they didn't know existed, stories of knights and monsters being told in millions of ways, each being its own verse of uniqueness. Endless timelines.. Multiverses..Fictional verses in general, all able to be accessed through a simple portal through the infinite others in The Outer Dimension. But the weak minded could not enter, the willpower of many was too lacking, so only the strong-minded could break into the preposterous plains of alternate paths. As, one of the many ways to access the Reality was through sheer will power.

In most circumstances, The Figure uses the Outer Dimension to specifically scrutinize fictional verses that grabs hold of his interest. The Outer Dimension was constructed by The Figure as what is described as a "Infinite plain white reality", the reason being that fictional verses see no end. One of the main purposes, or reasons for the creation of the Outer Dimension, was to create somewhat of a "hub", that can be used to not only view other fictional verses, but to act as somewhat a method for transportation that used for means, such as fictional travel. Once the Outer Dimension was completed, "Sans the Skeleton" felt fulfilled, and satisfied with his completion. The creation of The Outer Dimension. highly benefited, and contributed to everything that "Sans the Skeleton" strived for in the end.

Access: Being able to access the Outer Dimension can be determined by one's will to. There are other ways, but this is one of the most common.