Sass

character information

GENDER: Genderless ø OFFICIAL PRONOUN: He/him SPECIES: Kwami HEIGHT: 10 cm MIRACULOUS: Snake Miraculous RESIDENCE: The Liberty in Paris, France (currently) Agreste mansion in Paris, France (formerly) Tom & Sabine Boulangerie Patisserie in Paris, France (formerly) Chinese Miracle Box (formerly) China (past) FRIENDS: Luka Couffaine Marinette Dupain-Cheng/Ladybug Adrien Agreste Alya Césaire Shé (previously; when he was still alive) Tikki Plagg Wayzz Barkk Longg Kaalki Fluff Other Kwamis ENEMIES: Gabriel Agreste/Hawk Moth/Shadow Moth/Monarch † (formerly) Akumatized villains Amokized Sentimonsters (formerly) OWNERS: Luka Couffaine Gabriel Agreste (formerly) Adrien Agreste (temporarily) Shé (previously; when he was still alive) FAVORITE FOOD: Eggs Gummy snakes Tofu LIKES: Tofu DISLIKES: Tikki's uncontrollable hunger POWERS AND ABILITIES: Second Chance Flight Levitation Intangibility Miraculous transformation Inability to be filmed Kwagatama creation Immortality Power up Transformation

Sass

Sass is a supporting character of Miraculous: Tales of Ladybug & Cat Noir. He is the kwami of Intuition who is connected to the Snake Miraculous. With his power, Sass' wearer can use the Ouroboros bracelet to transform into a snake-themed superhero. Sass and his Miraculous are currently owned by Luka Couffaine, who uses it to transform into the superhero Viperion.

appearance

Sass is 10 centimeters (or 4 inches) tall and is light sea green, and has a broad, triangular head, resembling a cobra. His eyes are vivid green with narrow black pupils and light apple green sclerae, his mouth has two pointed fangs, and he has a sea green forked tongue. Additionally, he has a long tail, and from the top of his head and down his back to the tip of his tail, he has a very deep sea green diamond line pattern.

personality

Sass is the de facto leader of the kwamis in the Miracle Box, given his wise, insightful and charming demeanor. Because of his status as the kwami of intuition, his fellow kwamis value his sagacious wisdom and look to him for guidance when necessary, like when he told Tikki and Plagg to get Wayzz when they were not managing to contact Nooroo during the latter's cycle. With the eminent danger of a famished Tikki looking for galettes to eat and using her power like she has done in the past, he allowed Wayzz and Barkk to leave and watch over her. Another demonstration of his leadership is how he has the courage to try to dissuade Gabriel from having his wish granted and explain to him the drawbacks of fusing too many Miraculous. The other kwamis also tend to hide behind him when they get scared by their new villainous owner. Like Longg, he has a bit of a formal side happily greeting his owners. Due to the unique ability of his powers, Sass has high expectations of those he is partnered with. As Master Fu described his jewel, Sass is also wise in carefully choosing what time he needed to go back too like his holders he was able to resist temptation. And yet, in rare incidents Sass will beg for things he truly desires seen in "Furious Fu", as he did the puppy dog eyes along with his fellow kwamis expressing their desire to see Master Fu. Due to his calm demeanor, he rarely gets scared as seen in "Simpleman" when Manon tries to open Marinette's sewing box.

abilities

As Sass' holders remember every revised timeline, it's likely he does too, possibly meaning that he has a photographic memory or is capable of recalling the past in detail with great accuracy. As a kwami Sass can fly, levitate, and phase through solid objects. He can also carry objects that are larger and/or heavier than himself. As a kwami, Sass is able to transform the holder of the Snake Miraculous into a snake-themed superhero, with the power to go back in time with Second Chance. Unlike his holders, Sass, when he uses Second Chance, can go back to any previously marked time, no matter how much time has passed. However, doing so causes different moments in time to randomly overlap with each other, causing objects, animals or people from the past to reappear at the present. It also disrupts objects and devices that use or measure the passage of time in order to function properly.